Abstract
This monograph focuses on the perennial problem of Marot as a transitional poet, challenging the underlying premise that Renaissance poetry is inherently superior to late medieval poetry. It stresses the value of the Huizinga model of the transition from Middle Ages to Renaissance as a context in which to situate Marot and offers a formulation to describe the sometimes rather strange blend of the old and new in his work.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
