Abstract

At Howard University, the only historically Black university in the United States with a Classics department, campus leaders decided in 2021 to eliminate that department after a three-year review of its academic programs. The response was vehement and swift, with students, faculty, and alumni condemning the decision as a case of administrative overreach. The philosopher Cornel West described the divestment from the Classics curriculum as a ‘spiritual catastrophe’ for the institution. Few missed the irony that Toni Morrison, one of Howard's most celebrated alumni, studied with Frank Snowden, Jr., a renowned professor of Classics, and received a ‘minor’ in that field as an undergraduate; or that the central inspiration for Morrison's Beloved was a fugitive slave woman named Margaret Garner who became known as ‘the modern Medea’ for having decided (in 1856, in flight from her master's agents) that it was better to kill her children than see them returned to enslavement in the American South. Others would point to the long tradition of transformational Black thinkers who admit to having been inspired by the classics, including Frederick Douglass and Martin Luther King, Jr.

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