Abstract
What is the place of the classical past and its study in Italy, a classical country whose roots reach back to antiquity, but has existed as an independent nation only since 1860? This essay (to be published in S. Stephen and P. Vasunia eds., Classics and National Cultures, OUP) explores this question through analysis of a historical novel set in ancient Greek South Italy and written by a founder of Italian Risorgimento. Cuoco's turn to the past in order to build a modern Italian identity is caught between European Hellenism and alternative ancient pasts of Italy. Moreover, as Cuoco co-opted Italian scholarship to bestow authority on his vision, a new relationship between classical scholars and national past emerged: scholars study, shape and preserve the nation's antiquity, but become at the same time, to an extent, themselves cultural patrimony.
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