Abstract
Figures Tables Musical Examples Technical Notes Acknowledgments 1. Introduction 2. The Formation of a Diasporic Musical Culture as a Site of Contradiction 3. New York and the Transpacific Routes: Music in the Racialized History of Chinese American Experience 4. Music Here and Now: A Diasporic Soundscape in a Global City 5. From Private Realm to Public Display of Multiculturalism: Mapping the Local Geocultural Processes of Music Production, Consumption, and (Re)Presentations 6. Our Goal Is to Be in Sync with Other Areas of the World: Transnational Media Culture and Popular Music 7. The Poetics and Politics of Displacement: Portraits of Seven Immigrant Musicians 8. The Ambiguities of Cultural Politics in Asian/Chinese American Music Discourse Notes Appendix I. Chinese American Musical Groups in the New York/New Jersey/Greater New York Metropolitan Area Appendix II. Sheung Chi Ng's Taishan Muyu Song Repertories Appendix III. Complete Chinese Texts of Poems and Lyrics Cited Glossary Bibliography Discography Filmography Index
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