Abstract

ABSTRACT Determining who was an insomniac at the fin de siècle was more complex than detailing how many hours of sleep were lost. The label was a conduit through which gender, racial, and class-based biases were ratified and produced. This article proposes there are three primary discursive elements to insomnia: the medical, the mass-cultural, and the emblematic. The first two worked together to define the label of “insomniac,” an archetype informed by and reinforcing socio-cultural biases and anxieties. The final discourse functioned as an allegorical index of civilization, contributing to the construction of a popular and “exceptionalist” American national identity.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call