Abstract
The author of the book under review is known in the reading world as a heuristically arranged scientist and publicist, whose research method allows one to “embrace the immensity”. He opened more than one channel for the development of domestic humanities: he was the first to show the productivity of the geopoetic vision and the semiotic concept of local supertext on the Crimean literary material — he singled out the Crimean literary placers in the Crimean text and approved its special status in the all-Russian cultural space (“Crimean text in Russian Literature”. — St. Petersburg, 2003; “The Heritage of the Crimea: Geosophy, Textuality, Identity”. — M., 2007); it was he who managed, plunging into the cultural depths of the regions of Russia, to hear the “hum of the Russian civilizational space” and build a new concept for comprehending Russian literature through the super-meanings of regional literatures (“Russian literature as a system of local texts”: Dissertation Doctor of Philosophy. — Vologda, 2017), which is perceived today as a key for research that develops and deepens national self-consciousness. A new book by such an author is an extraordinary cultural event.
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