Abstract
Revisiting a previously unpublished analysis of the Clamor (2016) and Tekist (2017) art shows presented at the Fine Arts Institute and the Museum of Modern Art in Sulaimani, Iraqi Kurdistan, Cockrell-Abdullah considers the spaces in which artists are siting their work so that they may speak to specific public audiences and their social and cultural concerns, and how this work creates sheltered civic space in Kurdish society that allows for open discussion of social problems.
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