Abstract

Daghestan’s urban culture, in its Russian–European variety, is a relatively new phenomenon. Until the 1970’s, weddings in cities have been celebrated only by hereditary citizens, i.e. Russians, Armenians, Jews, Azerbaijanis, Kumyks, occasionally, while the rest of the city residents preferred to go to their home villages and play weddings there, after which the bride and groom would return if they were going to live in the city. Since the 1990’s, with the growth of the urban population due to the influx of the rural population, this tradition has disappeared in Daghestan, as rural residents often have to come to the city to celebrate the wedding.This article is based on ethnographic materials identified through field observation included. The authors focus on the presentation of the preserved traditional elements of urban wedding rituals and the new ritual and other components that have appeared in recent decades. The analysis of the modern family and public holiday, which the wedding has always been for the peoples of Daghestan, demonstrates the close connection between local traditions and Russian-European innovations, under the influence of various factors. Modern city weddings in Daghestan find in different cities a different ratio between the secular and Islamic components in wedding ceremonies. The authors consider the modern wedding in the cities of Daghestan as a multicomponent ceremony, consisting traditionally of preliminary preparations, the wedding itself and the ceremonies after the wedding.The innovations used in urban wedding rituals are an expression of value orientations, ethnic, ethical, aesthetic, and ethnocultural preferences of modern Daghestan citizens.Under the conditions of ethnocultural dynamics influenced by the intensive migration of the population from the mountains to the plain, where all the modern Daghestan cities are located, the “urban culture” radically transforms not only the marriage traditions, but also the very perception of these traditions. A look at the ratio of the traditional and the modern in the urban wedding rituals is now in each generation its own. And perhaps it is partly subjective and needs to be discussed.

Highlights

  • In the minds of Daghestanis, a wedding and virtually everything related to it is a rite, and an indicator of the social and property status of the married people, and the way they express themselves in society

  • It should be noted that the attitudes of Daghestanis towards the marriage traditions, as well as the topic of wedding rituals, are examined in the ethnographic literature quite

  • Urban culture of Daghestan developed in specific geographic areas of highlands, foothills, coastal plain, steppe, located on one of the busiest intersections of the Eurasian economic and cultural space

Read more

Summary

Introduction

In the minds of Daghestanis, a wedding and virtually everything related to it is a rite, and an indicator of the social and property status of the married people, and the way they express themselves in society. Similar metamorphoses have become a widespread phenomenon in all strata of society, including in very wealthy and high-status families Before sending his people whom they chose to talk about marriage to the girl’s representatives, the man, if he has not met her, collects information about the girl through friends, neighbours, coworkers or at her place of study. Near the end of the celebration, the toastmaster invites all the close relatives of the groom to the dance floor, politely invites the bride to stand and start the dancing He talks about some of the traditions of the family in which she lives, wishes them to be a young family of happiness and announces the farewell dance of the bride and groom. Visits to relatives can take many months because they are invited when they are ready to accept

Conclusion
СПИСОК ЛИТЕРАТУРЫ
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call