Cinematic journalism: the political economy and ‘emotional truth’ of documentary film

Abstract

ABSTRACT News organizations in recent years have embraced documentary film. From streaming ventures to Academy Award nominations, newsrooms are producing documentaries to reach new audiences and maintain their relevance in changing media cultures. This study examines documentary’s surging popularity among news outlets and addresses two questions: How does the political economy of media affect filmmakers’ editorial decisions and aesthetic choices? And, how do seemingly commonplace audiovisual and production techniques – such as music, lighting, sound design, and directing – complicate journalistic norms? Drawing on in-depth interviews with journalistic filmmakers (n = 24), the study offers three findings: the political economy of digital media is altering the production and distribution models for documentary, creating ethical dilemmas for filmmakers; the relational dynamics among filmmakers, participants, and audiences significantly inform the ethical frameworks that filmmakers use; and the ‘emotional truth’ of documentary storytelling forces filmmakers to reevaluate their conceptions of objectivity and neutrality. The study illuminates the relationship between documentary and journalism, and details how filmmakers are navigating the increasingly-blurry boundaries between these fields.