Abstract
Film has played a seminal role in Australian environmental history, as an instrument of advocacy to shape political disputes and government actions. Such cinematic activism originated in the 1960s with the dispute over the damming of Tasmania’s iconic Lake Pedder. Here, documentary filmmaking was used by the protagonists to influence public opinion and convey rival views of the remote wilderness lake. For conservationists, film helped build an emotional connection and sense of place, whilst for pro-dam proponents, film helped curate an ideology of economic progress. The protagonists’ mutually reinforcing tactics, especially the intermediary role of the Tasmanian Department of Film Production, combined with the outstanding beauty of Lake Pedder, drove the turn to cinematic activism. Understanding how these films were produced and screened is also important to appreciating their significance for cinematic activism.
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