Abstract
Introduction: Cinema, Technologies of Visibility, and the Reanimation of Desire Envisioning the (W)hole World Behind Things in Sam Mendes's American Beauty Burning Transmission: Stilling Psychic Space in Gore Verbinski's The Ring Turning into Another Thing: David Lynch's The Elephant Man Inscribing the Dream of Otherness at the End of the World Conclusion: Up with Dead People?
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