Abstract
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)”; Research on this paper was enabled by a grant from the Polish National Science Centre, number 2012/05/D/HS2/03490. My thanks to Lisa Roth and Regina Hoffmann from the Archive Deutsche Kinemathek for their help and comments as well as to Anna Labentz for editing this paper.
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