Abstract
This study consists of a comparative analysis of four films which fall under the category of “cinema on cinema”. These films are Cinema Paradiso (Giuseppe Tornatore, 1988, Italy), Zıkkımın Kökü (Memduh Ün, 1993, Turkey), Karpuz Kabuğundan Gemiler Yapmak/ Boats out of Watermelon Rinds ( Ahmet Uluçay, 2004, Turkey), Sinema Bir Mucizedir/ Cinema is a Miracle (Memduh Ün- Tunç Başaran, 2005, Turkey). It will be argued that these films have four main points of similarity. First, they are the instances of “cinema on cinema”; second, they are biographical films; third, their plots are constructed upon the rural lives of the past; fourth, they are about cinephilia.
Highlights
This study consists of a comparative analysis of four films which fall under the category of “cinema on cinema”
The most basic common point of these four films is they are all the examples of what Tiziana FerreroRegis calls „cinema on cinema‟- films that are using of cinema images of the past. (Tiziana Ferrero- Regis, 2002: 6)
Shirley Law describes this by the term „metafilm‟, which means „a film about film‟. (Shirley Law, 2003:7)
Summary
This study consists of a comparative analysis of four films which fall under the category of “cinema on cinema”. On the contrary, „the movies‟ including Cinema Paradiso and Zıkkımın Kökü (Memduh Ün, 1993, Turkey), Karpuz Kabuğundan Gemiler Yapmak/ Boats out of Watermelon Rinds ( Ahmet Uluçay, 2004, Turkey), Sinema Bir Mucizedir/ Cinema is a Miracle (Memduh Ün- Tunç Başaran, 2005, Turkey) are like „the life‟.
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