Abstract
The present paper is about the characteristics of the stream of consciousness style in cinema and it is based on the principles of the related technique in literature. This study aims to design the theoretical principles of the stream of consciousness technique in cinema. To achieve this goal, in the present analytical-descriptive study, the library and field method is used.From the results of this study, we achieve a relatively complex structure of the stream of consciousness style in cinema that crosses the border restrictions of the previous genres and it is rooted in the modern cinema. It also expresses factors that can have different perceptions.
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