Cinema of Crisis and the Documentary Impulse: The UPF Masters in Creative Documentary

Abstract

In this article, I analyse the relationship between contemporary Spanish documentary and the two crises that have deeply affected the country’s film industry in the last years: the financial crisis and the crisis of legitimacy of Spanish cinema amongst spectators and critical discourse. Specifically, I look at how the Masters in Creative Documentary of the UPF (Universidad Pompeu Fabra) has fostered an alternative documentary culture aimed at reconciling cinema’s role as a critical observer of neoliberal development in Spain. I focus on the university institution itself as a state-funded space of resistance to the ‘unthinking’ dynamics of the Spanish commercial film industry, especially in terms of its relation to actuality. To examine such issues in detail, I look at a paradigmatic case study from the UPF context: the film La plaga (Neus Ballús, 2013), which depicts the struggles of people in the periphery of Barcelona as globalised capitalism remaps and redefines their lives. Although humble and modest, the ‘UPF model’ is perhaps the seed for a future Spanish cinema that can speak both to the public’s reality and against the neoliberal conquest of every realm of society.