Abstract
Acknowledgments Introduction Part I. The Documentary Impulse: The Drama of Reality 1. Fernando Birri (Argentina), The Roots of Documentary Realism 2. Mario Handler (Uruguay), Starting from Scratch: Artisanship and Agitprop 3. Jorge Silva and Marta Rodriguez (Colombia), Cine-Sociology and Social Change 4. Jorge Sanjines (Bolivia), Revolutionary Cinema: The Bolivian Experience 5. Patricio Guzman (Chile), Politics and the Documentary in People's Chile 6. Emilio Rodriguez Vazquez and Carlos Vicente Ibarra (Puerto Rico and Nicaragua), Filmmaking in Nicaragua: From Insurrection to INCINE 7. Helena Solberg-Ladd (Brazil and United States), The View from the United States Part II. Fictional Filmmaking: The Reality of Drama 8. Glauber Rocha (Brazil), Cinema Novo and the Dialectics of Popular Culture 9. Tomas Gutierrez Alea (Cuba), Beyond the Reflection of Reality 10. Nelson Pereira dos Santos (Brazil), Toward a Popular Cinema 11. Humberto Solas (Cuba), Every Point of Arrival Is a Point of Departure 12. Antonio Eguino (Bolivia), Neorealism in Bolivia 13. Carlos Diegues (Brazil), The Mind of Cinema Novo 14. Raul Ruiz (Chile and France), Between Institutions 15. Marcela Fernandez Violante (Mexico), Inside the Mexican Film Industry: A Woman's Perspective Part III. Behind the Scenes 16. Nelson Villagra (Chile), The Actor at Home and in Exile 17. Walter Achugar (Uruguay and Latin America at Large), Using Movies to Make Movies 18. Enrique Colina (Cuba), The Film Critic on Prime Time 19. Julio Garcia Espinosa (Cuba), Theory and Practice of Film and Popular Culture in Cuba 20. Alfonso Gumucio Dagron (Bolivia and Latin America at Large), A Product of Circumstances: Reflections of a Media Activist For Further Reading Appendix: Films and Writings by Latin American Directors Index of Films General Index
Published Version
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