Abstract

This special section of Aniki is designed to celebrate the 50th anniversary of the Portuguese revolution of 1974-1975. The five articles included in it reflect the need to bring together international research, particularly on a theme with such a wide geographical scope as this one, highlighting the importance of adopting cross perspectives. The analyses proposed in these essays take a variety of approaches – critical film studies, the history of cinema’s modes of production, the ontology of the documentary, comparative analysis – and move through different filmic forms and revolutionary territories, namely: France, the Philippines, Spain, Romania and Brazil. Together, these essays allow us to update the links between cinema and revolution and extend them to other historical contexts and case studies, thus contributing to the global history of a cinema that has for a long time been confronting revolution and society in creative and inspiring ways.

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