Abstract

The 1959 celebration of the Centenary of self-government in Queensland presented organisers with an opportunity to showcase the state at large, together with its character and potential. Public works – a supremely tangible stamp of governmental achievement – were foremost in two new facilities for approved culture and recreation: the new library on William Street and the Brisbane City Council's Centenary Pool on Gregory Terrace. Abiding links with Britain were evoked by the royal visit of Princess Alexandra, a service in Westminster Abbey and the ‘Centenary voyage’ of a British immigrant ship. Other aspects of the program celebrated Queenslanders simply being Queenslanders. Day-to-day events from local carnivals and festivals to sporting competitions were embraced by the Centennial organisers. The resulting celebrations revealed a state in transition, its abiding affection for royalty and the ties of Empire happily coexisting with a new relish for American leisure culture. They reveal more than that when we consider the execution of Centenary activities in more detail, and particularly those that sought to present an account of how and why the state had come to be as it was. The 1959 celebrations provided a moment when, in the full light of public interest and attention, a ‘sense of the past’ was mobilised in both formal and informal terms in an attempt to account definitively for the Queensland historical experience.

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