Abstract
In the article, the author analyzes the communication between body and text in the latest novel published by the Israeli writer Amir Gutfreund, Agadat Bruno ve-Adela, in which the body and the text stand in its center, thus related to the texts of Schulz’s short stories from the Sanatorium under the Sign of the Hourglass. The paper refers to the essayistic considerations of Daniela Hodrová who approaches the text as a fabric and a tissue, an open work with germinal places and an ability to attract other texts. The author gradually examines the context of a murder series committed in contemporary Israel, whose victims are linked with one another not only by the rare killing weapon originating from the time of the British Palestinian Mandate, but also by graffiti from The Sanatorium under the Sign of the Hourglass and old secrets. The writing of text is defined as weaving and deep dreaming, while the behind-text, inter-text, and over-text are examined to weave the thread of the story into a meaningful pattern of fabric.
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