Abstract

While interpretations of the visual language of medieval Iberian architecture are often confined to the ways in which it reflects the multicultural society of the Peninsula. This chapter examines how, after the Castilian conquest of Seville, Alfonso X of Castile expressed his political ambitions, both toward the Peninsula and in the greater context of Christian Europe, through the religious architecture of that city. It proposes that Alfonso sought to establish Christian authority in the newly conquered city and transform it into a preeminent cosmopolitan capital by appropriating its Great Mosque as Seville's cathedral and royal pantheon, and also by erecting primarily Gothic structures over the neighborhood mosques that had been converted into the city's parish churches. The French Gothic features of these parish churches in particular signified the new Christian regime and Alfonso's connections to the French monarchy.Keywords: Alfonso X of Castile; Christian regime; Great Mosque; parish churches; post-conquest Seville; religious architecture

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.