Abstract
In this article, we investigate Romani musicians and Romani religious musicking, a previously under-researched facet of Roma musicking. We detail the emergence of Romani religious music and its distinctive features, explore its evolution over the past fifty years, and identify the earliest Roma religious musicians in Hungary. Furthermore, this study will highlight the significance of Romani religious music in the process of Romani conversion, the emergence of a Christian Romani collective identity, and the development of Romani relations and inculturation. In addition to historical sources and literature, our study draws on personal field experiences and interviews with Roma believers in Baptist, Catholic, Pentecostal-Charismatic, and Free Christian congregations in Békés, Budapest, Szeged, Szendrőlád, Csatka, and Uszka.
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