Abstract

This essay examines Jean-Luc Marion’s phenomenal model of the Trinity expounded in his recent book D’Ailleurs, la révélation (2020) and attempts to give an initial assessment from a theological perspective. Since Marion’s programme is largely indebted to the Roman Catholic theologian Hans Urs von Balthasar’s own project, first I give an overview of the Balthasarian phenomenal approach to revelation famously termed “aesthetic theology”. Next, I present Marion’s ideas concerning the convergence between the phenomenological and the theological enterprise. The third part examines the theological rationale behind Marion’s phenomenal model of the Trinity that again can be seen as relying significantly on Balthasarian trinitarian theology. In this section, I give an overview of the idea of the relationship between the immanent and the economic Trinity, and I inspect notions, such as trinitarian distance, kenosis and Marion’s own concept elsewhere. The fourth section gives an outline of Marion’s phenomenal model of the trinity where he develops a new trinitarian triad based on a phenomenal approach. The closing section reflects on the advantages and difficulties of Marion’s project.

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