Abstract

This essay explores the possibility of a narrative theology of culture by drawing on the trinitarian metaphysics of Robert W. Jenson. Postliberal or narrative theologies have often been said to hinder the intercultural translation of the gospel by promoting the cultural forms of Western Christianity as the ideal, but I argue here that Jenson’s theology (enlisting some distinctively postliberal themes) creates a critical distance between the church and Christian civilization, while also enabling the free creation and expression of diverse cultural expressions of the gospel. The first section of the paper is a critical project, using a trinitarian metaphysics to rule out any reduction of Christian culture to its Western expressions. Since the community of the Trinity is the one cultural form to which God’s people strive, and because the church’s full participation in this community is eschatological, Christian cultural expression cannot be reduced to one particular cultural form. This creates distance between the church and the world, preventing a strict identification of Christianity with Western culture. The second part of the paper then offers a constructive project, demonstrating how a trinitarian understanding of creaturely freedom enables the development of human culture. By grounding creation’s freedom in the freedom of the triune persons, a trinitarian metaphysics enables the free and loving development of creation in an infinite number of ways. In doing so, Jenson’s metaphysics does not compromise the diversity of human cultures, but instead allows human cultures to flourish in their endless variety.

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