Abstract
The essay argues that Charlotte Brontë'sVillette(1853) grapples with the role of things in the constitution of persons. It is a paradigmatic novel about the fortunes of private, psychological interiority under commodity culture; its immediate context is the empire of things after the Great Exhibition of 1851.Villetterepresents subjectivity as a cabinet of curiosities, an interior–like a parlor–filled with intensely meaningful, even fetishized, bibelots. Lucy, the novel's narrator, longs to retreat from the public spectacles of commodity culture but, ironically, finds her identity also through relations with things. The novel suggests that bourgeois subjectivity, though it points to a thorough intimacy with objects, is paradoxically defined by the nostalgic notion that true interiority has been beset by or even lost to the pressure of things.
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