Chorography of Contemporary Migrations and Fractured Identities in Kamila Shamshie’s Novel Home Fire

Abstract

Representation in literature goes beyond mere inclusion; it is about providing accurate and nuanced portrayals of different identities. In literature, identity is not limited to a single dimension but encompasses a multitude of factors such as race, gender, sexuality, class, and more. Authors often use their works to explore the intersections of these identities, highlighting the ways in which they shape individuals’ experiences and interactions with the world. This research article examines the theme of contemporary migrations and fractured identities in Kamila Shamshie’s novel Home Fire (2017). The study delves into the complex portrayal of identity in the novel, exploring how the characters grapple with their cultural, religious, and personal identities as they migrate. It analyzes the novel’s narrative and character development using the concept of chorography, which maps and represents spatial and cultural phenomena. The article sheds light on the complexities faced by migrants, particularly those from Muslim backgrounds, as they navigate cultural assimilation, religious identity, and the clash between tradition and modernity. It examines how migration can lead to a fragmentation of identities, exploring struggles with belonging, cultural boundaries, and the impact of political and social factors. The article also investigates the role of memory and history in shaping characters' identities and experiences of migration. It is an earnest attempt to provide a comprehensive understanding of the relationship between migrations and fractured identity of the Muslim community in the contemporary global scenario, contributing to the existing literature on migration studies and identity formations. Through a close analysis of the text, the article highlights the ways in which these fractured identities impact the characters’ sense of belonging and their interactions with others.