Abstract
Anthropologists and sociologists frequently suggest that marriage is undergoing rapid, worldwide transformation. Yet, while trends in nuptiality and divorce are used to demonstrate its decline, heterosexual marriage based on romantic love remains a cultural ideal in many contexts. This tension is reflected in cultural products like television programmes, including the increasingly popular genre of reality romance television. In this paper, we focus on an Australian version of a recent programme format, Married at First Sight (MaFS), in which ‘singles’ are matched by ‘relationship experts’ and then meet for the first time at their wedding ceremonies. The show purports to document singles’ lives prior to, during and following their weddings. By considering the content and structure of the show, as well as public and media responses to it, we explore Married at First Sight Australia in the context of other reality romance programmes produced and popular in Australia. We propose that the show offers a discourse of marriage based on objective compatibility rather than individual choice, but nonetheless dependent upon scripts of romantic love. Further, MaFS reflects (uneven) realities and popular understandings of transformation in modern Australian marriage.
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