Abstract
Circus in China until the 1760s was primarily regarded as an equestrian court performance to entertain nobles of the Qing Dynasty at the inauguration of the Chinese New Year, or to amuse foreign dignitaries bringing tributes. Since that time, circus has transformed into a popular entertainment art, featuring the integration of human, animal, dance, acrobatics, music, vocal, multi-media, and new technologies. In this article Susan Jia revisits the history of circus in China, and then focuses on its latest form of presentation in Shanghai Circus World (SCW), the premier circus establishment in China. The two core pieces in the SCW repertoire – ‘ERA: Intersection of Time’ and ‘Happy Circus’ – are examined to construct a representative miniature of modern Chinese circus, and from audiences’ perspective, the many comments written for online communities are analyzed to explore their understanding of modern circus. Susan Jia is an assistant professor in the School of Business and Management, Shanghai International Studies University. She researches means of developing the leisure and entertainment services industries.
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