Abstract
Continuous Transnational Exposures: A Brief Personal Account. In the winter of 1984, an energetic MFA student at UCLA, Mishka Chen, made some duplicate copies of contemporary Chinese films on videocassettes for his schoolmate. He was one of the earliest production graduate students at UCLA. Not only did he show a superior knowledge of who’s who in official culture, he was active in getting movies from the cultural section of the Chinese embassy in San Francisco that consistently supplied overseas Chinese student associations with new movies coming out from China.
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