Abstract
China's architectural exports to less-developed countries, such as conference halls, government offices, hospitals, institutional headquarters, schools, stadia and theatres, have played a special role in the state's foreign aid and diplomatic strategy. Beginning in the late 1950s, such exported architectural projects were presented by the Chinese Communist Party-led government as gifts to many Asian and African nations in exchange for their ideological, political and diplomatic support. In the post-Mao era, these architectural exports were combined with economic assistance, debt relief and expanding market access, suggesting economic cooperation, political engagement and cultural communication. In this study, a range of typical buildings are woven with their particular historical and socio-political backgrounds into a cohesive narrative. This is the first attempt to examine and theorise the development and transformation of this distinctive phenomenon, using architectural aid as a lens through which to unpack the state's motivation for and the institutions/individuals' commitment to constructing China's global influence. It is argued that the exported architectural projects – profoundly marked by the state's intervention – demonstrated what we term a ‘transformational modernism’ that was both a product of social transformation in China and a positive engagement with the recipient nations' local conditions.
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