Abstract

Previous studies have found that narrative input conveyed through different media influences the structure and content of children’s narrative retellings. Visual, televised narratives appear to elicit richer and more detailed narratives than traditional, orally transmitted storybook media. To extend this prior work and drawing from research on narrative elaboration, the current study’s main goal was to identify the core plot component differences (the who, what, where, when, why, and how of a story) between children’s retellings of televised versus traditional storybook narratives. However, because children also differ individually in their IQ, we further incorporated this variable into our analysis of children’s narrative retellings. For our purpose, a novel coding schema was developed, following and extending the existing narrative elaboration approaches. Participants were 46 typically developing children aged 4–5 years from Germany. The current study incorporated two narrative input conditions to which children were randomly assigned: in the video condition, children watched a non-verbal, visually conveyed, televised story from a DVD; and in the book condition, children read the story with an adult and experienced an orally conveyed version in the form of a book with minimal accompanying pictures. In both conditions, the same story was conveyed. After including IQ as a covariate in our analyses, results show that the children from the video condition gave significantly more elaborated retellings, particularly across the who, what, and where (sub-)components. Differences between the conditions in the component when, how and why did not reach statistical significance. Our findings indicate that different media types entail differential cognitive processing demands of a story, resulting in type-specific memories and narratives. The effect of different medial conditions was significant and persisted when individual differences in cognitive development were considered. Consequences for children’s development, education, and interaction with and within today’s digital world are discussed.

Highlights

  • AND PRIOR WORKThe literature on children’s development of narrative skills is both vast in volume and broad in focus

  • The emergence of new digital media and technologies is dynamically influencing how children interact with other people, objects, and the world around them

  • Visual information conveyed by televised narratives may be easier for kindergarten/pre-school children to process than verbal or language-based input, promoting greater story comprehension, supporting mental encoding processes and facilitating a more detailed event recall (Beck and Clarke-Stewart, 1998; Linebarger and Piotrowski, 2009)

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Summary

Introduction

AND PRIOR WORKThe literature on children’s development of narrative skills is both vast in volume and broad in focus. Past events are retold and evaluated from the speaker’s perspective, structured into chronological and causal sequences of sub-events and reproduced with linguistic and multimodal resources (Burdelski and Evaldsson, 2019; Heller, 2019; Makdissi et al, 2019; Takagi, 2019) For this purpose, storytellers need to leave the here and of an interaction (Bühler, 1934/2011) and create a fictional world in which the narrated events occur, allowing them to narrate events about persons displaced from the here (space) and (time), packaging these concepts accessibly for their listeners (Heller, 2019; Nicolopoulou, 2019; Takada and Kawashima, 2019). Narrative elaboration involves the integration of structure and content within the process of telling a story and effectively communicating its events

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