Abstract
How does Yad Vashem Institute presents the stories of the youngest participants in the war? What role do children play in its narrative? Do the authors of the exhibition devote separate exhibition to them – or are the children’s fates ‘inscribed’ in the overall message about history? Is the death of victims or the death of heroes at the centre of the message? Is the museum presentation dedicated to specific, individual figures or rather to communities of anonymous participants in wartime events? The author of the article addresses those questions by analysing the narrative line of the Holocaust History Museum (Yad Vashem) in Jerusalem. The research conducted show that the Holocaust story presented in this place focuses on the loss and suffering that resulted in interrupted lives. The perspective of the victims dominates the exhibition analysed. The civilian victims of occupation and Genocide are at the centre of the exhibition.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.