Abstract
Freud’s theories of the uncanny are generally treated ahistorically as an originary text. This essay places his work in the context of nineteenth-century English theories of childhood development (particularly the work of James Sully), the uncanny, and the unconscious. Drawing on literary texts from Robert Southey, Charles Kingsley, Robert Louis Stevenson, and Frances Power Cobbe, and the art of John William Waterhouse, it explores how the ancient oracular figure of the teraph, interpreted, rather macabrely, as the severed head of a child, became an embodiment of both the workings of the unconscious mind and the uncanny in nineteenth-century culture, and the locus of cultural and social anxieties projected onto the figure of the child.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
