Abstract
In this paper, I posit that Chekhov, in composing his plays, came to master the oedipal tensions and conflicts embodied by his psychic image of his mother and biological father as well as of his artistic father, Shakespeare. Chekhov framed his feelings about his parents through his many versions of the Hamlet closet scene, in which Hamlet kills Polonius and upbraids his mother for having married Claudius. Chekhov eventually transformed that scene to embody his new post-oedipal vision of his parents and of himself. In the process, he created a new scenic structure for dramatizing oedipal strivings.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
