Abstract
Patricia Beer's view of the significance of costume in Charlotte Brontë's novels points the way to a further analysis of the representations of ambivalent gender identity, and even of the staging of a recurring masquerade, in which woman's aspirations to develop a masculine persona are projected; but while the masks allow the secret dream of androgyny to surface, they also confirm its limited, if not altogether delusory nature.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
