Abstract

This article examines the first years of a charitable institution, the ‘ Ritiro o Opera pia delle Rosine’, led by a mystic woman in the eighteenth-century Sabaudian State. Through the analysis of this particular institution, this essay focuses on the so-called ‘ Opere pie’ in Savoy Piedmont, between the seventeenth and eighteenth centuries: namely, the charitable institutions, under royal patronage and public jurisdiction, yet administrated by clerics and led by women whose sanctity was the subject of controversy, which had a key role in the politics of devotion in the baroque age.

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