Characterization of non-ionic surfactants in Winsor & Newton's water-mixable oil paints

Abstract

Abstract Water-mixable oil (WMO) paints are a relatively new addition to the artists’ palette that have increased in usage and popularity over the past few decades. Understanding the composition and properties of WMO paint is essential for the artists who use them and for the people who work with WMO paintings—particularly art conservators. However, the formulations that make WMO paints possible remain undisclosed by paint manufacturers. In this research, fresh paint and naturally-aged paint-outs from Winsor & Newton’s Artisan WMO products were used to study the chemistry of WMO paints. The development of a unique high-pressure liquid chromatography mass spectrometry (HPLC-MS) method enabled the separation and detection of the non-ionic surfactants in the Artisan WMO paints. A data visualization strategy using contour plots was applied for interpretation of results, affording, for the first time, complete structural identifications of surfactant molecules in a WMO paint. The paints were found to contain a complex mixture of ethoxylated molecules, including polyoxyethylene (POE) fatty acid esters derived from the fatty acid mixture of linseed oil. An exudate that formed from the cured paints was also analyzed. More-saturated fatty acid esters, POE oleate and POE stearate, were detected; however, more-reactive POE fatty acid esters were found absent, providing insight relating to the stability of surfactants in the Artisan WMO paints as well as potential curing reactions. HPLC-MS studies were contextualized with physical observations and surface measurements that were performed on the cured samples. Tacky surfaces observed on the cured paint films showed significantly higher surface gloss and surface hydrophilicity; these observations were quantified using glossimetry and droplet contact angle measurements. These results provide insight into the unique chemistry present in WMO paints and provide a basis for future studies for art conservators and conservation scientists working with this new media.