Abstract
Abstract: India has the richest tradition in theatre which is closely related to ancient rituals and seasonal festivities of the country. The earliest contribution to the Indian theatre dating between 2000 BCE and 4th century CE is Bharata Muni's ‘Natya Shastra' which describes a theory of theatrical performance based on the style and motion. Theatre in India started as narrative with recitation, singing and dancing become an integral elements of the theatre. A search for an authentic Indian theatre had begun within fifty years of William Jones' translation Shakuntala in 1798. Some of the notable Indian playwrights are Girish Karnad, Vijay Tendulkar, Kalidasa , Badal Sarkar , Mohan Rakesh, Rabindranath Tagore. The objective of the paper is to study and compare the various women characters of Tendulkar’s ‘Kamala’, ‘Sakharam Binder’, ‘The Vultures’ and Karnad's selected plays ‘Nagamandala’ and ‘Hayavadana’. Karnad and Tendulkar are the giants of Indian theatre , who explored the overt and covert violence in human beings and revaluated the socio-cultural , historical , gender , caste and abided the consciousness of vulnerability in Indian social hierarchy (V.M Madge and Tutan Mukherjee).
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