Abstract

The terracotta figurines and protomai from Eleon form a compelling corpus of evidence for activity on the acropolis during the Archaic and Classical periods. This chapter provides an overview of the figurines recovered in the first five years of excavation at Eleon. A chronological survey relies on stylistic analysis, as nearly all come from the ramped entryway to the site, either built into the fill of the ramp itself in secondary deposition, or in later pits disrupting these levels. The assemblage is composed of a range of handmade and moldmade female figurines in seated and standing postures; the lingering Archaic type of the early Classical period is prevalent among these. Given their quantity and the nature of the associated material, it can reasonably be assumed that the figurines are linked to votive activity on the hilltop, although specifics elude us beyond association with a female deity. Dedication of the figurines peaked in the mid-fifth century, at least 25 years after the construction of the polygonal wall. This may be indicative of shifts in votive practice over time, as well as developments in local terracotta production before the emergence of a “Boeotian” coroplastic style.

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