Abstract

This chapter analyzes the figure of Troilus and the motif of the love triangle, consisting of him, Briseis, and Diomedes from the De excidio Troiae of Dares Phrygius to contemporary literature. We focus specifically on the medieval works that influenced the representation of these three characters and their relationship. We examine their roles in Dares’ work, in the Roman de Troie of Benoît de Sainte-Maure, in Guido delle Colonne’s Historia destructionis Troiae, in two epics of the XII and XIII centuries (De bello Troiano of Joseph of Exeter and Troilus of Albert of Stade) and in three more familiar pieces, namely Boccaccio’s Il Filostrato, Chaucer’s Troilus and Criseyde, and Shakespeare’s Troilus and Cressida, to end with a quick review of the theme from that moment until the present. The representation of the characters and their triangle was formed in the Roman de Troie following Dares, and each author who developed the story used the tradition but added his own special touches.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.