Abstract
One of the ubiquitous characteristics of human art, throughout history and across cultures, is the attempt to come to terms with mortality and to achieve symbolic forms of immortality. A unique interdisciplinary contribution of terror management theory (TMT) has been its recent role in shedding light on this recurrent aspect of aesthetic creativity and experience. This chapter reviews the growing literature relevant to this particular contribution. It focuses on two main bodies of work: (1) theoretical literature employing TMT to enrich scholarly analyses of art, particularly in the area of film studies; and (2) empirical literature that draws on the TMT framework to examine psychological motivations for the creation and consequences of consumption of art. We further consider research on the role of death anxiety in processing commercial media, and the potential for artistic activity to temporarily liberate individuals from anxious defensiveness.
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