Abstract

AbstractOn May 12, 1913, Keystone movie producer Mack Sennett sent a telegram to Alf Reeves, the manager of a touring British music hall company, performing at the Nixon Theater in Philadelphia. It read: “IS THERE A MAN NAMED CHAFFIN IN YOUR COMPANY OR SOMETHING LIKE THAT STOP IF SO WILL HE COMMUNICATE WITH KESSEL AND BAUMAN 24 LONGACRE BUILDING BROADWAY NEW YORK.” Reeves showed the telegram to a featured comedian, Charles Chaplin, whom Sennett, although he had forgotten the name, had seen perform at the American Music Hall in 1911. Chaplin had no experience in the movies but agreed to try after Sennett offered him $150 weekly — twice his music hall salary (Chaplin 1964, 137–139).

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