Abstract
Chamber music works by Amanda Maier in the context of European Romanticism
Highlights
The name of Amanda Maier, the Swedish violinist, composer, pianist, organist, representative of the Leipzig school of composition, contemporary and good friend of С
Grieg, is virtually unknown in the post‐Soviet space and little mentioned in the works of musicologists from other countries
2020 ■ Вип. 56 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти 123 composers over the past century. The latter, at least in domestic musicology, has significantly intensified in recent decades, which is due in part to the advancement in the second half of the XX and early XXI centuries of a constellation of the talanted women-composers in Ukraine – L
Summary
The name of Amanda Maier (married – Röntgen‐Maier), the Swedish violinist, composer, pianist, organist, representative of the Leipzig school of composition, contemporary and good friend of С. 56 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти 123 composers over the past century The latter, at least in domestic musicology, has significantly intensified in recent decades, which is due in part to the advancement in the second half of the XX and early XXI centuries of a constellation of the talanted women-composers in Ukraine – L. It is obvious that the development of the world art is associated with the activities of male artists, and with the creative achievements of women: writers, artists, musicians. Maier was the well‐known artist in Europe and in the world and the same participant in the musical-historical process as more famous today the musicians of the Romantic era
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