Abstract
Abstract The aim of this study was to verify the possibility of Sor Juana Inés de la Cruz authoring the anonymous part of the baroque play La Segunda Celestina, commissioned to Agustín de Salazar, and left unfinished after his death. This is a first systematic stylometric study on this problem and a baroque hispanoamerican text. In our study, we faced building a balanced corpus from few available resources, and took extensive evaluation measures to deal with unclear stylometric signals. We use a variety of established attribution and verification methods, and introduce a novel evaluation procedure of examining historic texts with scarce corpora. The results support Sor Juana’s authorship, and unravel new connections between her and other authors of the time, showing, still undermined, powerful impact of her works on the epoch. The solutions adopted in solving methodological problems of such a complex task show how stylometry can overcome similar challenges.
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