Abstract

In this paper, we study who first used the Latin anatomical term “cerebellum” for the posterior part of the brain. The suggestion that this term was introduced by Leonardo da Vinci is unlikely. Just before the start of the da Vinci era in the fifteenth century, several authors referred to the cerebellum as “cerebri posteriorus.” Instead, in his translation of Galen’s anatomical text De utilitare particularum of 1307, Nicolo da Reggio used the Latinized Greek word “parencephalon.” More peculiar was the Latin nautical term “puppi,” referring to the stern of a ship, that was applied to the cerebellum by Constantine the African in his translation of the Arabic Liber regius in the eleventh century. The first to use the term “cerebellum” appears to be Magnus Hundt in his Anthropologia from 1501. Like many of the anatomists of this period, he was a humanist with an interest in classical literature. They may have encountered the term “cerebellum” in the writings by classical authors such as Celsus, where it was used as the diminutive of “cerebrum” for the small brains of small animals, and, subsequently, applied the term to the posterior part of the brain. In the subsequent decades of the sixteenth century, an increasing number of pre-Vesalian authors of anatomical texts started to use the name “cerebellum,” initially often combined with one or more of the earlier terms, but eventually more frequently in isolation. We found that a woodcut in Dryander’s Anatomia capitis humani of 1536 is the first realistic picture of the cerebellum.

Highlights

  • In this paper, we study who first used the Latin anatomical term “cerebellum” for the posterior part of the brain

  • It was suggested at the time that the term was introduced by Leonardo da Vinci

  • Latin anatomical terms in his drawings? Antonio de Beatis, in his account of a visit of Cardinal Luis of Aragon to da Vinci in Amboise in 1517, states: “he has written of the nature of water, of divers machines and of other matters, which he has set down in an infinite number of volumes, all in the vulgar tongue ...”

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Summary

Unlikely Involvement of Leonardo da Vinci

The anatomical term “cerebellum” denotes the posterior part of the brain. But by whom and when was this term introduced? This question was discussed at the recent cerebellar meeting in Tokyo, dedicated to the late Professor Masao Ito. The second Salernian demonstration contains a cursory description of the brain: “It (the head) is tapering in front, because of the chamber of imagination and the sensory nerves, which proceed to the organs of sensation, and it tapers behind, because of the chamber of memory and the motor nerves, which run to the organs of locomotion and because the spinal medulla makes its exit at the rear,” (translation [16]) According to this author, these texts are mainly based don Constantine’s Liber pantegni. Johannes Dryander, a German scientist from Marburg, published a booklet (28 pages) in 1536, Anatomia Capitis Humani in Marpurgensi Academiqa superiori anno publice exhibita [22], with woodcuts by Georg Thomas of successive stages in the dissection of the head with explanatory notes, but without a detailed text, an early example of tomography One of his woodcuts appears to be the first figure in history that clearly depicts the cerebellum (Fig. 8). The study of the introduction in the humanist community of this period of new Latin terms, or the application of older terms, such as “cerebellum,” to new concepts should be left to experts and is far beyond the expertise of the present authors

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