Abstract

Abstract During the Early Byzantine period, ceramic vessels evolved from Roman pottery; red-slip tableware produced by Asia Minor and North African workshops dominated the market. Christian motifs enriched the decorative repertoire. From the seventh century onward, glazing signaled a major change in the appearance of vessels during the Middle and Late Byzantine periods. Glazed White Ware from Constantinople monopolized the tableware market until the eleventh century. From this time onward a light-colored slip layer on red fabric ensured a surface suitable for decoration and allowed for the development of sgraffito decoration, the Byzantine pottery decorative technique par excellence. It also made the production of glazed decorated ceramics possible in parts of the empire without white clay. During the Late Byzantine period, decentralization of pottery workshops allowed the development of local characteristics.

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