Abstract

Previous speech kinematic studies have demonstrated systematic timing relations among the upper lip, lower lip, and jaw suggesting the operation of a central pattern generator (CPG). The present study evaluated the consistency of these timing relations following unanticipated perturbation of the lower lip. Using this approach, it was also possible to evaluate the influence of sensory information on the timing of motor output and subsequent coordination of the multiple speech movements. Perturbations were applied to the lower lip during the closing movement associated with the first "p" in "sapapple". Muscle activity and movements of the upper lip, lower lip, and jaw were obtained. Changes in movement displacement, velocity and duration, the timing and sequencing of peak velocities, EMG area, and EMG rise time were analyzed for the control and load conditions. Similar to previous perturbation results, significant magnitude compensations from the muscles and movements of the upper lip, lower lip, and jaw were observed. In contrast, movement durations and the sequencing of peak velocities were relatively unaffected by the lower lip load. The timing of peak EMG amplitude and consequently the timing of peak closing velocity for all structures (UL, LL, and J) occurred earlier relative to the preceding opening movement. These results are consistent with the interaction of phasic sensory input with centrally-driven commands resulting in a phase-advanced motor output. Further, as the timing of one structure is modified so were all the functionally-linked components thereby maintaining the necessary coordination. As in other rhythmic motor behaviors such as locomotion and chewing, there appears to be a centrally patterned framework for speech movement coordination.

Full Text
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