Abstract

In this piece on the Polish Romantic travellers confronted with Celtic cultures and countries, I have tried to show the way they reacted and how their imaginations worked. Probably some of their reactions were not different to those of all other Celtophiles. The special role of the Czartoryskis’ cultural patronage needs to be highlighted. In the nineteenth century Poland, nobody ever attempted to gather so many books about Celtic history and culture again, even after the emergence of Celtic Studies as an academic discipline later in the nineteenth century. The predictable result was that, with time, knowledge of Celtic cultures diminished among the Polish writers. The literary revival in early twentieth century Ireland, associated with Yeats and his contemporaries, did not elicit widespread reaction from Polish librarians and academics. This failure to respond to new developments in Ireland is probably to be explained in terms of the economic and socio-political conditions in the divided Poland of that time. One of the many negative results of the partitions at the end of the eighteenth century was that a large number of important Polish writers moved abroad, as well as that their relations and impressions were affected by this emigration. Being a political émigré was not always helpful in so far as the exploration of new cultures was concerned, both from the point of view of the psychological trauma of being away from home and of various everyday constraints. Generally, it was personal interests and earlier studies, and not finances or place of living that influenced some Polish authors’ choice to write on Celtic themes.

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