"Ce n'est pas le Pérou," or, the Failure of Authenticity: Marginal Cosmopolitans at the Paris Universal Exhibition of 1855

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Previous articleNext article No AccessFront Lines/Border Posts"Ce n'est pas le Pérou," or, the Failure of Authenticity: Marginal Cosmopolitans at the Paris Universal Exhibition of 1855Natalia MajlufNatalia Majluf Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 23, Number 4Summer, 1997 Article DOIhttps://doi.org/10.1086/448857 Views: 15Total views on this site Citations: 12Citations are reported from Crossref Copyright 1997 The University of ChicagoPDF download Crossref reports the following articles citing this article:Raquel Flecha Vega Olga Albizu’s Lyrical Abstraction and the Borders of the Canvas, Arts 12, no.11 (Jan 2023): 20.https://doi.org/10.3390/arts12010020Giulia Murace Diálogos rioplatenses. Buenos Aires, Montevideo y la creación de una academia moderna a comienzos del siglo XX, Arte, Individuo y Sociedad Avance en línea (Feb 2023): 1–18.https://doi.org/10.5209/aris.84954Jan Eijking Whose Power is Knowledge?, Global Intellectual History (Dec 2022): 1–9.https://doi.org/10.1080/23801883.2022.2132177Natalia Majluf Time and Place, (Oct 2021): 489–503.https://doi.org/10.1002/9781118475430.ch31Matthew Himley The future lies beneath: Mineral science, resource-making, and the (de)differentiation of the Peruvian underground, Political Geography 87 (May 2021): 102373.https://doi.org/10.1016/j.polgeo.2021.102373M. Elizabeth Boone “Ibero-American participation, world exhibitions, and the long nineteenth century: a historiographical overview”, Journal of Iberian and Latin American Studies 26, no.33 (Nov 2020): 213–234.https://doi.org/10.1080/14701847.2020.1851907Maya Jiménez A Cosmopolitan Ambition: La Regeneración and the French Academic Nude in 19 th -Century Colombia, H-ART. Revista de historia, teoría y crítica de arte , no.77 (Jul 2020): 159–176.https://doi.org/10.25025/hart07.2020.09Sven Schuster, Laura Alejandra Buenaventura Gómez Imaginando la “tercera civilización de América”: Colombia en las exposiciones internacionales del IV Centenario (1892-1893), Historia Crítica , no.7575 (Jan 2020): 25–47.https://doi.org/10.7440/histcrit75.2020.02Joanna Crow Photographic Encounters: Martín Chambi, Indigeneity and Chile–Peru Relations in the Early Twentieth Century, Journal of Latin American Studies 51, no.11 (Jul 2018): 31–58.https://doi.org/10.1017/S0022216X18000342Margueritte Murphy Commodity aesthetics: The industrial exhibitions of Paris, 1834—1844, reviewed, Journal of European Studies 40, no.11 (Mar 2010): 23–38.https://doi.org/10.1177/0047244109353971Margueritte Murphy The Critic as Cosmopolite: Baudelaire’s International Sensibility and the Transformation of Viewer Subjectivity, (Jan 2008): 25–41.https://doi.org/10.1057/9780230583498_2Miles Ogborn The relations between geography and history: work in historical geography in 1997, Progress in Human Geography 23, no.11 (Mar 1999): 97–108.https://doi.org/10.1191/030913299672557598