Abstract
Although critics have rightly linked Claude Chabrol's film Le Boucher (1969) to Zola's novel La Bete humaine (1890), the two have yet to be considered in the context of the century-long tradition of thought about atavism that informs them both. This article reconstructs that tradition, examining how Le Boucher's modern-day caveman suggests twentieth-century cultural continuities with nineteenth-century notions of man's relation to his evolutionary forebears. Noting Le Boucher's debt to a Freudian conception of atavism — a conception heavily influenced by the very same scientific paradigm that shaped Zola's fascination with man's prehistoric self — I argue that Chabrol's film revives a nineteenth-century European anxiety of proximity whereby technological and scientific advances prompted unease about ever closer contact with the distant reaches of humanity. Chabrol achieves this by building on Zola's protocinematic vision, refracting it through a Freudian lens in which atavism and the cinema occupy common psychological space, and updating the thematics of atavism for a twentieth century chastised by the colonial experiment.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.