Abstract
The growth of research on religious topics from different conceptual perspectives in the past several years represents what one scholar has now called the “religious turn” in modern German historical study. With Catholicism, Popular Culture, and the Arts in Germany, Margaret Steig Dalton has made another important contribution to this historiography with a study of Catholic cultural criticism from the Wilhelmine period through the Weimar Republic. Her focus is on what she calls the “Catholic cultural movement,” and by cultural movement she means production in the arts broadly understood from literature to film and radio.
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